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Best New Movie on Starz — January 2021: Each month, Starz adds a varied and impressive list of movies new and old. Worse, they’re plagued by specters that live in the walls of their ramshackle new government-issued abode, promising to return the daughter they lost during their treacherous overseas journey if only they’ll make a sacrifice in blood. Aided by Liberato’s accomplished performance, first-time writer/director Jeffrey A. Story of a married couple in whose house a servant boy works. Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. Here you … Less an attempt at a cohesive life story than an act of experimental expressionistic portraiture, it’s an audacious drama that energizes the staid biopic genre. Subdued and melancholy, Jack’s journey is a familiar one, and yet O’Conner and Affleck – the latter turning in an expertly modulated, interior turn – shrewdly locate their protagonist’s alcoholism as the self-destructive byproduct of regret, resentment, fury and hopelessness. Login / Sign Up. On a Cape Cod getaway, aspiring astrobiologist Emily (liana Liberato) and her going-nowhere boyfriend Randall (Noah Le Gros) wind up sharing accommodations with fiftysomething couple Jane (Maryann Nagel) and Mitch (Jake Weber), friends of Randall’s dad. Alice and Roberta’s bond is particularly fractured thanks to the latter’s suspicion that her real-life ordeals were exploited by the former for her Pulitzer Prize-winning novel. We provide 2020 movie release dates, cast, posters, trailers and ratings. Hewing closely to its source material, the film charts Emma Woodhouse’s efforts to find a suitor for her doting companion Harriet Smith (Mia Goth) while struggling with her own blossoming feelings for her sister’s brother-in-law, George Knightley (Johnny Flynn). Avoiding unnecessary diversions or italicized politics, the filmmaker streamlines his tale into a ferocious game of cat-and-mouse, with Moss commanding the spotlight as a woman tormented both physically and psychologically, and determined to fight back against her misogynistic victimization. Edna’s vacant stares and strange behavior are the catalyst for a story that derives considerable suspense from unnerving set pieces and, more pointed still, the question of whether everything taking place is the result of unholy entities or the elderly woman’s physical and mental deterioration. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Faced with this unexpected and debilitating turn of events, Ahmed’s Ruben is forced by his bandmate/partner Lou (Olivia Cooke) to leave their tour and park his Airstream trailer at a home for the deaf run by generous but stern Joe (Paul Raci). Add the first question. It’s Young, however, who holds the hothouse material together as the self-actualizing Rose, whose journey mirrors that of the missing girl Jackson is writing about, and who serves as the beating heart of this slyly furious film. Oldman is magnetic as the dissolute scribe, and Seyfried is even better as the not-as-dumb-as-you-think blonde starlet. Check out 2020 movies on DVD and blu-ray. There’s not much mystery to this tale of forbidden desire, but considerable restraint and subtlety, as Lee exquisitely conveys Mary and Charlotte’s emotional states through shrewd, textured compositions of Mary’s spartan home (which she shares with her mother) and oceanic workplace. Disaffection and sorrow hover over Tesla, Michael Almereyda’s daringly unconventional film about the famed nineteenth-century inventor. Most of all, though, it’s a saga about perseverance and bravery, two qualities that Neulinger – then, and now – exhibits in spades. Disney put together a fully 2020 trailer for its new Muppets show, which has the cast making their pitch for the series inside of a video meeting. Ram Gopal Verma to make his acting debut with 'Cobra'. In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks. Rife with betrayals, manhunts and shootouts, the auteur’s narrative is constantly taking sharp, unexpected turns, and the same is true of his breathtaking direction, which reveals unseen figures, and twists, via elegant camerawork and expressionistic flourishes that are married to a realistic depiction of rain-soaked Wuhan and its lawless lakeside communities. Want to share IMDb's rating on your own site? While we can’t celebrate them all, this year-long rundown has certainly tried to do justice to the finest that filmmakers had to offer. Sneaking swigs of booze, of course, has a predictable downside, and Vinterberg’s film (co-written by Tobias Lindholm) charts his protagonists’ revitalizing high and inevitable crash with compassionate attention to the malaise of middle age and the temporary bliss that comes from getting good and blitzed. Beginning with Kysilkova’s decision to paint Nordland’s portrait (peaking with one of the year’s most stunning scenes), their bond is forged by underlying similarities: traumatic and abusive pasts, as well as their habit of risking their lives for their addictions – in his case, drugs; in hers, painting. The writer/director employs narration, shifts in perspective, flashbacks, and wild dramatic scenes—both male and female Edens and Avivas sometimes share the screen, partying, arguing or having passionate sex—to provide an intimate sense of the desires and fears propelling these conjoined figures forward. All 4 parts of the power star series is now combined into one big movie! Catrin Einhorn and Leslye Davis’ intimate direction captures this family’s saga through ups (Brian’s new marriage) and downs (an unthinkable loss), in the process conveying how our dispositions and adult paths are inherently shaped by our parents (and the values they teach) as well as by the calamitous incidents that detonate our sense of stability. It’s Winslet, though, who carries the day, exuding so much repressed longing that she – and the film – practically explode during those rare moments of romantic release. In Andre Ahn’s touching indie, Dennehy is Korean War vet Del, who comes to befriend socially awkward young Cody (Lucas Jaye) after the boy and his mother Kathy (Hong Chau) take up temporary residence next door, cleaning out the pigsty that used to belong to Kathy’s deceased sister. WEB-DL MkvCage. Grab some popcorn, this is a long one. 1 VIDEO. Penetration, invasion, corruption and control are all part of this sinister techno-stew, which drenches itself in reflective mirror imagery, sexualized carnage and color-filtered visions of conjoined faces tearing apart from each other. Report. Starz's blockbuster series Power is dividing its final season into two parts, with the finale episode airing in 2020. No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. 9xmovies Download 9xmovies.in Latest Hindi Full Movies 9xmovies.org Bollywood Movies 9xmovies.net Dual Audio 300mb Movies 9xmovies.com South Dubbed Movies The life of iconic politician Nandamuri Taraka Ramarao (NTR) after meeting Lakshmi Parvathi, his second wife. That’s as arduous a job as Tolontan’s quest to speak truth to power, and the film traces both of their efforts during an election year in which the reforms they seek are threatened by an old guard that wants to return to the crooked past. Since said predator isn’t visible to the human eye, however, that’s not an easy task. James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. At its midway point, McQueen’s film becomes a straightforward courtroom drama about the fight against prejudice and for justice. After getting beaten up and insulted by the town bully, a softhearted simpleton Mahesh vows to be barefoot until he gets his revenge. Shiva is disgusted by the corruption in and around his new college, and along with his friends, he decides to take a stand against the status quo. Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Season 6, Episode 11. With modern economic and social dynamics as its narrative backdrop, Zhao’s film locates beauty, fear, danger and quiet euphoria in Fern’s wandering search for contentment, which proves that being alone and being lonely aren’t always the same thing. Father Soldier Son spends ten years with the Eisch clan as they struggle to overcome various hardships wrought by military service, as the now-disabled Brian grapples with depression and loss of identity, and his boys come to grips with a new, strained reality that permanently alters their emotional and psychological outlook on their own situations, and plans for the future. Yakin’s sinuous, passionate indie is as entrancing as it is daring. Use the HTML below. As with his prior Black Coal, Thin Ice, Chinese director Diao Yinan’s The Wild Goose Lake has a coiled intensity that amplifies its romantic fatalism. Thrillingly grand and revealingly intimate, it paints a timely portrait of the heroism, and sacrifices, required to uphold democracy. Grab some popcorn, this is a long one. Those sequences, as well as a disaster-wracked finale, also capture her gnawing anxiety about finding her way – an issue that also pertains to her dream of becoming a singer, which manifests itself in two separate fantasy sequences that prove highlights of Kurosawa’s idiosyncratic latest. His mission leads him to a Russian arms dealer (Kenneth Branagh) and his unhappy wife (Elizabeth Debicki), although the narrative twists and turns of this would-be blockbuster – made even harder to follow by a sound mix that turns some dialogue unintelligible – are secondary to the flair of its set pieces, full of reverse bungie-jumping and skirmishes, shootouts and car chases that run simultaneously backwards and forwards. Lee holds nothing back in recounting this sprawling tale, employing different aspect ratios and film stocks, plentiful Marvin Gaye tunes, flashbacks, shout-outs to Black Lives Matter, denunciations of President Trump, and references to notable (but largely forgotten) African-American trailblazers. Ruben is a recovering junkie whose quest to regain his auditory senses is its own form of addiction, and Ahmed embodies him with equal parts ferociousness and anguish. View production, box office, & company info, Best and Worst Telugu Films of 2020 (including Dubbed Films). Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. Cruel blackmail soon proves to be Masha’s means of coping with loss, but healing is in short supply in this ravaged milieu. TV Shows. It’s an acute snapshot of the American democratic process as filtered through an alternately inspiring and horrifying Lord of the Flies lens. BluRay YTS.MX. Also focused on a Collectiv survivor attempting to rebuild her shattered body and life (replete with a new, artificial hand), Nanau’s doc is a harrowingly immediate dissection of a country that seems to be so rotten to its core, no amount of heroic crusading and reform can sanitize it. Shot with bobbing, swaying gracefulness that’s in tune with its environment, it’s an evocative, empathetic and altogether unforgettable portrait of life on the fringe, where escape from reality is a constant—if self-destructive—desire, and solace is only found at the bottom of a glass, in the company of fellow drunks. Gaslighting gets downright monstrous in The Invisible Man, a 21st-century take on Universal’s classic unseen specter. That, in turn, compels him to become a writer who rails against capitalism and socialism (which he views as two sides of the same master-slave coin) and champions a Nietzschean individualism that alienates him from virtually everyone. Nick Schager is a NYC-area film critic and culture writer with twenty years of professional experience writing about all the movies you love, and countless others that you don’t. Crucifixes and fire are twin motifs underscoring this gorgeously austere, bleak tale about intolerance, oppression, dehumanization and the scarring struggle to survive, which descends into darkness with its haunted eyes wide open. Autobiographical tales of trauma don’t come much more wrenching than Rewind, director Sasha Neulinger’s non-fiction investigation into his painful childhood. You’ll never look at sows quite the same way again. Alexander Nanau’s bracing and vital documentary concerns the fallout from the October 30, 2015 fire at the Colectiv nightclub in Bucharest, Romania that resulted in 27 immediate deaths, and the resignation of the ruling Social Democratic administration. David Cronenberg’s writer/director son Brandon proves himself a chip off the old body-horror block with Possessor, a twisted sci-fi thriller about a near future in which assassin Tasya Vos (Andrea Riseborough) carries out her hits by hooking herself up to a face-hugger-style machine and “entering” another person’s mind and body, whom she then manipulates like a puppet. Jul 13, 2020 - An Article in Apple News .. Directed by Omar Lulu. Movies . Guided by a loose, jazzy, improvisatory spirit, Ferrara’s quasi-autobiographical drama charts its protagonist as he works on a new project, teaches acting classes, attends AA meetings, and spars with his 29-year-old bride Nikki (Cristina Chiriac), whose father issues are at the root of her marriage to a much older man, just as Tommaso’s desire to remain a vital presence in daughter Deedee’s (Anna Ferrara) life stems from his own prior parental failures with his adopted children. No one knows if 2021 will bring us back to theaters or have us continuing to experience new works on our TVs, tablets and phones. Title: Keep track of everything you watch; tell your friends. As intimate and up-close-and-personal as non-fiction cinema gets, Victor Kossakovsky’s Gunda documents the life of a mother pig and her newborn brood on a farm. Home is where the Devil is in The Dark and the Wicked, as siblings Louise (Marin Ireland) and Michael (Michael Abbot Jr.) discover upon returning to their parents’ rural farm to tend to their ailing bed-ridden father (Michael Zagst) and distraught mother (Julie Oliver-Touchstone). Kitty Green’s The Assistant is the first great #MeToo film, a scathing look at the mundane day-to-day ways in which gender-imbalanced abuse and unfairness are built into workplace systems. BluRay YTS.MX. Grief is a monster that you can neither fight nor flee in Swedish director Johannes Nyholm’s Koko-di Koko-da, a surreal nightmare about a married couple (Leif Edlund and Yiva Gallon) that, in the aftermath of their daughter’s unexpected demise, goes on a camping trip in the woods. The director lays out the myriad forces at play in this ostensibly picture-perfect milieu in exacting detail, and his preference for longer takes means that the focus remains squarely on his performers. Aaron Moorhead and Justin Benson are genre filmmakers adept at crafting time-travel stories that double as subtle inquiries into the human condition, and their latest, Synchronic, is their most straightforward and high-profile venture to date. Whether tapping into universal hopes and fears, or incisively reflecting our current insane circumstances, they offered insight and escape, as well as thrills of a breathtakingly varied sort. The journey of some of Power's most controversial characters. Good luck making coherent heads or tails of the film’s convoluted story about a CIA agent known only as the Protagonist (John David Washington) who teams with a shadowy colleague (Robert Pattinson) to discover the origins of bullets that, thanks to entropic “inversion,” can travel back in time. Watch R G V POWER STAR Movie 2020 | RGV Pawan Kalyan Movie | Power Star Movie RGV - worldstuff on Dailymotion. Utilizing a variety of disguises to mask his (fictional) identity – because everyone, by now, recognizes him on-sight – Borat reaffirms his status as cinema’s clown prince of pranksterism, culminating with a Rudy Giuliani interview that has to be seen to be believed. Every product was carefully curated by an Esquire editor. Watch fullscreen. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. Wolfe keeps the material spry and sensual (as well as explosive) by keeping his roving camera trained on his stars, who swing for the fences with ferocious gusto. Using Robert Kolker’s book as her source, director Liz Garbus recounts Mari Gilbert’s (Amy Ryan) efforts to find her oldest daughter Shannan, a prostitute, after she vanished following a house call in a gated Long Island community. There may be no more suspenseful moment in cinema this year than the sight of David running after Soon-ja – nor one more affecting. Spike Lee goes for broke with Da 5 Bloods, tackling historic and modern racism, oppression, guilt, greed and brotherhood through the story of four Vietnam Vets (played by Delroy Lindo, Clarke Peters, Isiah Whitlock Jr. and Norm Lewis) who, along with the son of Lindo’s character (Jonathan Majors), return to Southeast Asia to both recover the remains of their fallen comrade Stormin’ Norman (Chadwick Boseman) and to find the gold they buried years ago. Plummeting down a rabbit hole of confusion, longing, regret and grief, I’m Thinking of Ending Things is a film of careening left turns. Kurosawa repeatedly frames Yoko amidst enormous, enveloping crowds, the better to suggest her feelings of isolation and confusion. 00:00 00:00 Newgrounds. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. In extended scenes of press conferences, presentations, boardroom meetings and community hearings—as well as snapshots of day-to-day life in Beantown’s diverse districts—Wiseman conveys the mundane toil of legislative and regulatory action. Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. 37min | Short, Drama | 25 July 2020 (India) 4:04 | Trailer. With On the Rocks, Sofia Coppola reunites with her Lost in Translation star Bill Murray for another odyssey involving a young woman and an older man. All three of these characters are suffering in their own distinct ways, due to a combination of loss, loneliness and fear, and Ahn (working from Hannah Bos and Paul Thureen’s precise script) intertwines their plights with few contrivances and a potent measure of empathy, especially once Del and Cody begin developing an unexpected bond. From vast sights of the snow-capped Andes, to grainy on-the-street video footage of Pinochet tyranny, to introspective interviews with fellow artists, Guzmán’s film (the third entry in a trilogy that also includes Nostalgia for the Light and The Pearl Button) examines the catastrophic upheaval of 1973’s coup d’état, and the lingering scars it left on him and the country’s citizens. As envisioned by writer/director Eliza Hittman (Beach Rats), Autumn’s with-child circumstance leads to a harrowing ordeal of uncomfortable doctor visits, financial anxieties, and incessant indignities suffered at the hands of men, be it sexually harassing classmates, her drunk and uncaring father (Ryan Eggold), or a boy (Théodore Pellerin) she and Skylar meet on the bus to Manhattan. This FAQ is empty. With City Hall, 90-year-old documentarian Frederick Wiseman trains his critical eye on the city of Boston and the many civic institutions and organizations that keep it running. Enlivened by an intoxicating feel for Rome’s nocturnal streets, periodically segueing into fantasy sequences, and vacillating on a dime between laid-back romanticism and anxious volatility, the film refracts its maker’s highly personal hang-ups through an intense and immediate lens. At every turn, what Mari discovers is a lack of urgency about, if not outright indifference to, her daughter’s disappearance, even after other bodies are found in the very same area. How all this is showcased is the rest of the story. Heartly congratulations to Rgv for his Super Success. The tension between them, however, is only one facet of this semi-improvised drama, which also features a clandestine accord struck by Alice’s beloved nephew Tyler (Lucas Hedges) and her new agent Karen (Gemma Chan), both of whom are on the ship, the latter covertly. Benjamin Ree’s intriguing The Painter and the Thief tells the tale of their unlikely relationship from both of their perspectives, charting its ups and downs with formal astuteness and inviting intimacy. Bio-terror comes in corrupting forms in The Beach House, whose contagion-based scares speak, subtly if severely, to our present moment. The true story of a mother’s search for her missing child, Netflix’s Lost Girls is a clear-eyed and moving expose about the many ways in which troubled young women are let down by parents, police and society at large. Brown stages his mayhem with assured efficiency, creating an air of impenetrable mystery through uneasy silence, compositions that devolve into cascading bubbles and a squishy foot-surgery sequence that would make body-horror maestro David Cronenberg proud. Its formal structure intrinsically wedded to its shocking story, Neulinger’s film reveals its monstrous particulars in a gradual bits-and-pieces manner that echoes his own childhood process of articulating his experiences to others. This was, in many respects, a year to forget—but not so when it came to film. Hunted by police captain Liu (Liao Fan), Diao’s protagonists are engaged in a deadly game that’s played in silence because they all inherently know the rules, and their sense of purpose is echoed by the film itself, which orchestrates its underworld conflicts with bracing precision. The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. Maternal love is both a blessing and a curse in this ever-metamorphosizing enclave, and León and Cociña’s stunning imagery—combining hand-drawn, painterly, clay- and paper-mache-based animation—is a swirling wonder. Charlie Kaufman once again descends into a surrealistic pit of death and despair with his adaptation of Iain Reid’s 2016 novel, which charts a road trip by Jake (Jesse Plemons) and his girlfriend (Jessie Buckley) to his parents’ rural farmhouse home. Helmed with playful menace by Leigh Whannell, whose camerawork and compositions constantly tease subtle action in the corners of the frame, this slick genre effort finds Elisabeth Moss trying to convince anyone who’ll listen that she’s not crazy, and really is being hunted by her supposedly dead abusive boyfriend. Courtesy of Ma’s demanding diva imperiousness and Levee’s cock-of-the-walk arrogance, the session becomes a powder keg whose fuses are related to African-American oppression, ambition and music-industry exploitation. Forced to navigate a chauvinistic world that treats them as disposable sexual playthings, denigrates them as whores when they attempt to fulfill that role, and then thwarts their desire for agency – and independence – at every turn, Autumn’s saga is all the more heartbreaking for being so ordinary. Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. Politics are chaotic, combative and undertaken by both true believers and amoral schemers—a state of affairs depicted in starkly microcosmic terms by Boys State. Each title is ranked according to its share of pageviews among the items displayed. In the ensuing weeks, 37 more burn victims perished due to bacterial infections at local hospitals, which journalist Catalin Tolontan and his colleagues soon link to a widespread scandal involving diluted disinfectants, gangster hospital managers, and amoral bribery and profiteering that incoming health minster Vlad Voiculescu is tasked with cleaning up. 5 months ago | 5.3K views. Article from apple.news. Czech artist Barbora Kysilkova responded to the theft of two prized paintings by befriending Karl-Bertil Nordland, the drugged-out gangster behind the crime. An immigrant who rivaled Thomas Eddison (Kyle MacLachlan) and partnered with George Westinghouse (Jim Gaffigan), JP Morgan (Donnie Keshawarz), and Sarah Bernhardt (Rebecca Dayan), Almereyda’s Tesla (Ethan Hawke) is a stoic genius with determination in his eyes and sadness at the corners of his mouth. Despair, desire, and madness are all entangled in Josephine Decker’s Shirley, about the late horror writer Shirley Jackson’s (Elisabeth Moss) attempt to pen her sophomore novel Hangsaman while dealing with her unfaithful critic/professor husband Stanley Edgar Hyman (Michael Stuhlbarg) as well as two boarders, aspiring academic Fred (Logan Lerman) and his pregnant wife Rose (Odessa Young). (2020). These are the phenomenal films that helped us overcome a challenging year and you can watch them right now. The film starts with the character of Prawan Kalyan feeling disgusted after his loss in the prestigious elections. There’s volatility in its every unreal frame, as well as in the performance of Riseborough as a ruthless invader in search of autonomy. Yet as evidenced by the numerous gems that arrived over the course of the past twelve months, cinema remains as vital as ever. Madness has arrived in infinite-hued form, as Stanley evokes a sense of rifts opening between our world and the great abyss beyond, and delivers fantastical sights of both a CGI and practical-effects sort. Intermingling copious footage of Camp Jened and the movement it produced with heartfelt interviews with some of its tale’s prime players, Crip Camp is a moving example of people fighting tooth-and-nail for the equality and respect they deserve – and, in the process, transforming the world. A gripping tale around the lives of five people grappling for their dreams when a young politician, suddenly in the hot seat of power, makes the life-altering decision of setting his father's legacy to stone by hook or by crook. Taking the form of a black-and-white film from the 1940s, Fincher’s inside-baseball character study scrutinizes the marriage of movies and politics, and the push-pull between self-destruction and creativity, through the lens of Mank (Gary Oldman), whose story flip-flops between his time in a ranch house writing Orson Welles’ (Tom Burke) masterpiece and his prior relationships with William Randolph Hearst (Charles Dance) – the inspiration for Kane – and the mogul’s mistress, actress Marion Davies (Amanda Seyfried). His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control. The way in which nature, history, dreams and myth intertwine is a central focus here, as Herzog expresses how he and his subject were kindred spirits bonded by a shared fascination with ancient knowledge and a habit of embellishing facts in order to get at a deeper “ecstatic truth.” Though the director employs considerable archival material, its footage of his own journeys – set to Ernst Reijseger’s eclectic score – that really gets to the heart of Chatwin as an itinerant artist drawn to life’s far corners, and enduring mysteries. As the famed author behind The Lottery and The Haunting of Hill House, Moss radiates ferocity and instability, and she’s matched by Stuhlbarg as the creepy, codependent Hyman. 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